Eco brutalism aesthetic

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Few architectural styles provoke as much debate as Brutalism. Once seen as stark and imposing, its unapologetic use of raw concrete and geometric forms is now experiencing a renaissance. Renewed cultural interest from nostalgia-fueled social media and the Oscar-nominated movie The Brutalist have all prompted the once-maligned aesthetic to step back into the spotlight. But Brutalism isn’t just about architecture anymore. It's also influencing interior design, furniture, and even home décor trends. Whether you’re looking to fully embrace its austere beauty or simply incorporate elements of the striking aesthetic into your home, here’s a closer look at Brutalism’s past, present, and future.Walker McKinley, founder and CEO of architecture and interior design firm McKinley StudiosTrey Trahan, founder of Trahan Architects Defining Characteristics Brutalist architecture and design are instantly recognizable for their bold, no-nonsense aesthetics. Hallmarks of the style include: Raw Concrete: Exposed concrete surfaces, often left unfinished, define the look of Brutalist structures. Some designs also incorporate brick, steel, or glass—but concrete remains the primary material.Geometric Forms: Brutalist buildings favor rigid, block-like shapes and exaggerated proportions, creating a sense of weight and permanence.Function-First Philosophy: Rooted in modernist principles, Brutalist design prioritizes function over decoration, resulting in minimal ornamentation and an emphasis on utility.Monolithic Structures: Many Brutalist buildings have fortress-like appearances, characterized by heavy, cantilevered forms and deeply recessed windows.Expressive Brutality: Unlike other minimalist styles, Brutalism does not shy away from the roughness of its materials, embracing imperfections and emphasizing texture. History Getty / Simon McGill Brutalism emerged in the mid-20th century

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As an architectural response to the need for affordable, functional buildings during the post-war era. Its name comes from the French phrase "béton brut," or "raw concrete"—the term was popularized by British architects Alison and Peter Smithson in the 1950s. However, by then, Swiss-French architect Le Corbusier had already laid its foundation. Brutalism flourished from the 1950s to the 1970s, and its monolithic aesthetics were showcased in public buildings, government complexes, and university campuses. The movement prioritized function over ornamentation, favoring utilitarian materials and honest, unadorned structures. By the 1980s, Brutalism fell out of favor. It was criticized as cold, oppressive, and emblematic of urban decay. Many of the style's most quintessential buildings faced neglect or even demolition. However, in the 21st century, a new wave of appreciation has revived interest in Brutalist design, sparking debates on preservation and inspiring a new generation of designers to reinterpret its principles. Current Popularity "Architecture is a more diverse field now and a more collaborative act," says architect Trey Trahan. "As a result, I think contemporary buildings in the Brutalist style are becoming more interesting, refined, and nuanced." The style has also taken on a different cultural identity. While Brutalism once symbolized governmental authority and urban density, today’s resurgence has reframed it as a bold, avant-garde aesthetic. Others have long been surrounded by Brutalism in their hometowns, and have found within it new meaning. "Growing up in the 60s and 70s [in Canada] meant that I spent a lot of time in Brutalist

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Buildings, where the style was adopted as an institutional mode," says architect Walker McKinley. "The explicit rejection of historic references, details, and planning—replaced with Brutalism’s expressionist opportunities—has always appealed to me." In Popular Culture Getty / bloodua Film and television have historically embraced Brutalist architecture, particularly when it comes to evoking dystopian atmospheres. Prime examples include A Clockwork Orange and Blade Runner 2049. More recently, A24's The Brutalist has brought more direct and widespread attention to the aesthetic movement, introducing its visual language to an enthusiastic, international audience. “The Brutalist is wonderful on many levels,” says McKinley. “Interestingly, I think we're seeing the style co-opted into the world of luxury fashion retailing—especially in European brands and activations. YSL, Gucci, and Jill Sander have all opened recent stores or had fashion shows that directly reference a nostalgia for midcentury Brutalist architecture.” Trahan also sees Brutalism as challenging Western views of beauty. “I’ve always been drawn to classic examples, like Boston City Hall or the Kimbell Art Museum," he says. "Both are contrasting examples of the style, but they're ones that challenged my notions of what concrete, wood, and stone can be.” How to Get the Look Getty Images For those intrigued by Brutalism’s bold look, incorporating its principles into home design can create a striking-yet-livable space. Here’s how to embrace Brutalist design in a modern home. Embrace Concrete and Industrial Materials The easiest way to channel Brutalist design is by incorporating raw materials. Concrete floors, exposed brick, or steel accents instantly. Today's aesthetic is eco brutalism. Eco brutalist ecobrutalism Eco brutalism Ecobrutalist aesthetic aesthetic blog aesthetics aesthetic otd aesthetics blog aesthetic community aesthetic blogs. architectureandfilmblog. Follow. Eco Brutalism Architecture. Brutalism Aesthetic. Eco Brutalism. Hotel Aesthetic. Brutalism Architecture. Brutalist Buildings. History Of Architecture. Types Of Architecture. Architecture

What is eco-brutalism? The aesthetic in architecture and interiors

The “reverence for the natural world” – the Japanese architectural influence on New Brutalism and its realisation.View of Crosby’s extension of The Lacket showing the living room (left) and bedrooms (right)In Autumn 2020 Juliana Kei, Lecturer in Architecture at the University of Liverpool, was able to visit two overlooked house extensions that reflect the tenets of New Brutalism – one in Bayswater by Alison and Peter Smithson and the other The Lacket by Theo Crosby. What captured Juliana’s attention was that underpinning the two designs were their idea of New Brutalism.In Reyner Banham’s 1966 book New Brutalism: Ethic or Aesthetic, Juliana explains, he made reference to a one-page article published in the January 1955 issue of the Architectural Design, as the “manifesto” of New Brutalism. The article in question was written by Alison and Peter Smithson, and Theo Crosby, who was at the time the technical editor of the AD and a close friend of the Smithsons. In current studies of post-war British architecture, Crosby has been recognised as an effective behind-the-scene promoter for the Smithsons’ and the Independent Group’s (IG) works. In addition to using the AD as a conduit to disseminate the ideas of the IG milieu, Crosby is also credited as the organiser of the 1956 This is Tomorrow exhibition held at the Whitechapel Gallery in London. This article retrieves the 1955 New Brutalism “manifesto.” Juliana continues, I will also use two house extensions designed by Crosby and the Smithsons, for the same client, to examine their propositions in the manifesto.In the AD manifesto, Crosby and the Smithsons dedicated the introduction, and five out of the seven paragraphs on the importance of Japanese architectural influence on the Modern Movement and New Brutalism.They declared,‘Our belief that the New Brutalism is the only possible development for this moment from the Modern Movement…because fundamentally both movements have used their yardstick Japanese architecture – its underlying idea, principles, and spirit.’They went on to explain that, through Japanese architecture, New Brutalism found a “reverence for materials” and a close affinity with “peasant dwelling forms”, which resulted in an “architecture as the direct result of a way of life.” They even suggested that the Smithsons’ Hunstanton School “owes as much to the existence of Japanese Architecture as to Mies.”Hunstanton Secondary School, Alison and Peter Smithson RIBA CollectionsThe manifesto is puzzling. Neither the Smithsons or Crosby had been to Japan at the time of

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Inward-facing design created an environment perceived as unsafe or alienating.Brutalism emerged as a reaction against the ornamentation and frivolity of earlier styles, like Beaux-Arts and Art Deco. However, since tastes in architecture changed, the pendulum moved to the other extreme, favoring a totally opposite direction, with styles emphasizing human scale, warmth, and aesthetic diversity. Brutalism fell out of grace due to the turn toward diverse and more pleasing designs.Notable Brutalist projectsUnité d’Habitation, Marseille (1952)© Gili MerinThis residential building, designed by Le Corbusier, is one of the most famous examples of Brutalism. It features raw concrete and a roughly textured façade, with a horizontal design and elevated columns supporting a roof garden. This building’s modular approach, performed in concrete, has been highly influential on housing design through its adherence to the principles of Brutalism.The Barbican Centre, London (1982)ShutterstockDesigned by Chamberlin, Powell, and Bon, the Barbican Centre is a large complex with residential apartments and a performing arts center alongside other cultural facilities. Massive concrete structures, massive use of exposed concrete, and angular forms are characteristic hallmarks of Brutalism. The Barbican represents one of the most important cultural spots and residential complexes, embodying the style’s social and functional characteristics.Hunstanton School, Norfolk (1954)© Anna ArmstrongThis school by Alison and Peter Smithson is one of the style’s early examples and one that greatly influenced Brutalist architecture. It is a raw concrete building with a modular design and open expression of the structural elements, offering a prime example of what the Smithsons meant by the term “New Brutalism.” The clarity of form and function at Hunstanton School befits the principles underlying Brutalism in an educational setting.The Boston City Hall (1968)Designed by Kallmann McKinnell & Knowles, Boston City Hall is one of the better-known expressions of Brutalist architecture. Its bold and raw concrete exterior, with intricate geometric forms, is characteristic of the style, which focuses on rugged materiality and monumentality. Deep overhangs and deeply set windows dramatize the design through a series of cantilevered elements, thereby arresting the visual presence in downtown Boston.The National Theatre, London (1976)Designed by Sir Denys Lasdun, the National Theatre is a key example of Brutalist architecture in the cultural sector. Its use of exposed concrete and its distinctive, angular forms contribute to its imposing and sculptural quality. The building’s design includes a complex arrangement of volumes and terraces, reflecting the Brutalist principle of showcasing structural elements and materials while creating a

Eco Brutalism - History and significance of Eco Brutalism

Loved and loathed, revered and reviled: Brutalism remains one of the most controversial and misunderstood architectural styles of the 20th century.Sir Denys Lasdun’s Grade II* National Theatre. © Historic England. Contributed by Mark Hammond. See the List entry.To its fans, Brutalism represents the bold, ambitious and utopian energy of the post-war era, in which architects set about transforming towns and cities to better serve the people. To critics, Brutalism was a monstrous, dystopian landscape-destroyer.What is Brutalism?The Tricorn Centre in Portsmouth, designed by Owen Luder and Rodney Gordon, was described by Prince Charles as ‘a mildewed lump of elephant droppings’ and compared to Stonehenge and Lincoln Cathedral by Jonathan Meades. It was demolished in 2004. © Historic England Archive. BB96/10639.Not necessarily brutalA common misconception is that the word Brutalism derives from the word brutal: in reality it probably came from the French expression ‘béton brut’: French for ‘raw concrete’ and coined by the architect Le Corbusier during the construction of Unité d’Habitation in 1952.The term ‘nybrutalism’ was used by the Swedish architect Hans Asplund to describe the Villa Göth in 1950, and was later picked up by visiting British architects.The Barbican Centre, City of London. © Historic England Archive. DP100575.In his seminal 1955 essay, the architectural critic Reyner Banham described the emerging trend in British architecture as ‘The New Brutalism’. Banham characterised this movement by its ‘its bloody-mindedness’ and described Alison and Peter Smithsons’ Grade II* listed school at Hunstanton as one of England’s first examples.Smithdon School, Hunstanton. © Historic England Archive. DP180592.Not all concreteThe Smithsons priority was ‘reverence for materials’, be they timber, brick, concrete or glass: a Brutalist building should be constructed from natural materials honestly expressed.The Hunstanton School might not meet your expectations for a Brutalist building, but as Banham explained it is without decoration and ‘made of. Today's aesthetic is eco brutalism. Eco brutalist ecobrutalism Eco brutalism Ecobrutalist aesthetic aesthetic blog aesthetics aesthetic otd aesthetics blog aesthetic community aesthetic blogs. architectureandfilmblog. Follow. Eco Brutalism Architecture. Brutalism Aesthetic. Eco Brutalism. Hotel Aesthetic. Brutalism Architecture. Brutalist Buildings. History Of Architecture. Types Of Architecture. Architecture