Syncopation 53

Featured in Def Jam Vendetta.DJ – The Jamaican Dr. J. Or Michael Jordan. Or whomever you believe to be the best dunker the NBA has seen. This is the Jamaican version of him.Takashi – It’s Yao Ming, but Japanese. Which is ironic because Yao Ming wasn't in the NBA yet. At 7'8", he’s good at blocking shots.Stretch – Looking much like Dr. J, Stretch is the father of streetball. Looks good in short shorts. He's on the cover.SoundtrackThe Herbaliser featuring Blade - Who's the Realist (Blade Version)The Herbaliser - "Who's the Realist" (Very Mercenary Mix)The Herbaliser - "Control Centre"The Herbaliser - "Wall Crawling Giant Insect Breaks"The Herbaliser - "The Blend" (No Vocal Edit)London Funk All Stars - "The Chase"London Funk All Stars - "What's In The Basket"Dynamic Syncopation - "Bahian B-Boy"Dynamic Syncopation featuring Juice Aleem - "The Plan"Dynamic Syncopation - "Dynamism"Dynamic Syncopation - "Rock"DJ Food - "Dark Lady"DJ Food - "Moody Drawer"Up Bustle and Out - "The Educators"9 Lazy 9 - "Swingpool"Dynamic SoundtrackBreak his ankles to change the music.NBA Street featured a dynamic soundtrack that would change on the fly depending on the pace of the game. The more tricks and points you achieve, the music tempo will increase and match your on screen actions. If the game is slow paced and no big tricks combos are completed, then expect a mellow soundtrack.Critical ReceptionWhen the PS2 version was released Game Informer gave the review scores of 9.25 and 9.25. Matt Helgeson wrote, "...playground basketball gets a much-needed jolt of energy

Of complexity. As an example of what I mean, watch Bob’s examples of groove in the video I mentioned above. Every single one of them involves a bit of simple syncopation. That is true even on the ones where he just plays quarter notes in the right hand. Those quarter notes are set up by a slight syncopation he plays in the left hand.The key is to not overdo it. You don’t have to play overly complex rhythm or you are almost certainly going to get too imprecise to accomplish groove. But on the other hand, you don’t want to play straight eighth notes either.Here is an example of a very simple rhythm that accomplishes what I am talking about. It is called various things (a “push” in Nashville, the “Charleston” in jazz) but it is simply a way to make rhythm a bit more interesting. When you try this, accent the syncopation slightly when you play it so people know you did it on purpose. A lot of the preciseness you hear in groove is actually an illusion created by the confidence of the musicians involved.5) Accents are ultra-important. There is no formula I can give you though. The accents that are used in groove vary in many ways and they are used at the discretion of the musician. In general though, you hear accents on the back of beats as well as the front of beats. In other words, in the example above, you might hear the eighth note accented as much or more than the down beat even though it is on the back half of a beat.Really, learning how accents are used just requires listening to musicians you like and then trying to imitate them. Again, this is not something that can really be notated on a music score.At this point, some of you may be wondering how this applies to church, especially if you go to a conservative church. Trust me; you want groove in your music. Really, groove just generates the perception that a musician is in control of the instrument and knows what he/she is doing. It eliminates tension from the music and allows other musicians, singers, and the congregation to participate in worship together. In fact, it helps to lead people to want to participate and it helps keep them together when they do.

Sign Add dynamic marks, slurs, and crescendi Change note heads Add symbols to notes Add trills, ornaments, and tremolo symbols Add sustain pedal markings Add chord symbols Add chord grids and tablature symbols Add bar lines, repeats, and coda signs Add page and line break symbols Select notes Move and copy notes Change note pitch, duration, and velocity Change note articulations Quantize the timing of notes Note attributes overview Change note heads Change note size and position Change how accidentals appear Change how beams appear Change voice and staff assignments Change the direction of ties Change note syncopation and interpretation Use independent notes Change note color Reset note attributes Restrict note input to the current key Control how ties are displayed Add and edit tuplets Override display quantization using tuplets Add grace notes and independent notes Delete notes Use automation in the Score Editor Lyrics and text overview Add lyrics to a score Add text to a score Edit text in a score Edit score text event parameters Use text styles Add automatic text Add global text Chord grids overview Instrument Editor Chord Grid Selector Chord Grid Editor Insert and edit chord grids Create and edit chord grids Add and edit fingering dots Add and edit barres Mute strings in a chord grid Add and edit chord grid libraries Import and export chord grid libraries Score region parameters overview Style Quantize Interpretation Syncopation No Overlap Max Dots Score Edit default parameters for new regions Staff styles overview Assign staff styles

Pitch, duration, and velocity Change note articulations Quantize the timing of notes Note attributes overview Change note heads Change note size and position Change how accidentals appear Change how beams appear Change voice and staff assignments Change the direction of ties Change note syncopation and interpretation Use independent notes Change note color Reset note attributes Restrict note input to the current key Control how ties are displayed Add and edit tuplets Override display quantization using tuplets Add grace notes and independent notes Delete notes Use automation in the Score Editor Lyrics and text overview Add lyrics to a score Add text to a score Edit text in a score Edit score text event parameters Use text styles Add automatic text Add global text Chord grids overview Instrument Editor Chord Grid Selector Chord Grid Editor Insert and edit chord grids Create and edit chord grids Add and edit fingering dots Add and edit barres Mute strings in a chord grid Add and edit chord grid libraries Import and export chord grid libraries Score region parameters overview Style Quantize Interpretation Syncopation No Overlap Max Dots Score Edit default parameters for new regions Staff styles overview Assign staff styles to tracks Staff Style window Create and duplicate staff styles Edit staff styles Edit staff, voice, and assign parameters Add and delete staffs or voices in the Staff Style window in Logic Pro Copy staffs or voices in the Staff Style window in Logic Pro Copy staff styles between projects Delete staff styles Assign

Copy notes Change note pitch, duration, and velocity Change note articulations Quantize the timing of notes Note attributes overview Change note heads Change note size and position Change how accidentals appear Change how beams appear Change voice and staff assignments Change the direction of ties Change note syncopation and interpretation Use independent notes Change note color Reset note attributes Restrict note input to the current key Control how ties are displayed Add and edit tuplets Override display quantization using tuplets Add grace notes and independent notes Delete notes Use automation in the Score Editor Lyrics and text overview Add lyrics to a score Add text to a score Edit text in a score Edit score text event parameters Use text styles Add automatic text Add global text Chord grids overview Instrument Editor Chord Grid Selector Chord Grid Editor Insert and edit chord grids Create and edit chord grids Add and edit fingering dots Add and edit barres Mute strings in a chord grid Add and edit chord grid libraries Import and export chord grid libraries Score region parameters overview Style Quantize Interpretation Syncopation No Overlap Max Dots Score Edit default parameters for new regions Staff styles overview Assign staff styles to tracks Staff Style window Create and duplicate staff styles Edit staff styles Edit staff, voice, and assign parameters Add and delete staffs or voices in the Staff Style window in Logic Pro for Mac Copy staffs or voices in the Staff Style window in Logic Pro for Mac Copy staff styles between projects Delete staff styles Assign notes to voices and staffs Display polyphonic parts on separate staffs Change the staff assignment of score symbols Beam notes across staffs Use mapped staff styles for drum notation Predefined staff styles Score sets overview Choose a score set Create and delete score sets Edit score set parameters Change the instruments in a score set Resize score sets Create layouts for a score and its parts Extract parts from a score Import score sets from other projects Score layout overview Edit line breaks Line and page breaks Edit local margins Use external